In particular, a number of motifs are to be found in an unpublished set of engravings of 1947 which surround the poems of Ruthven Todd.Īnother impression of this same print can be found in the collection of the Tate Gallery, London. Contemporary interest in the genre of the livre d artiste centers on both the nature of collaboration and. The first and second series are more closely related in terms of imagery than the subsequent series.īoth present boldly and broadly drawn figures reminiscent of some of the ceramics Miró was making with Josep Lloréns Artigas at the time, while retaining the sense of fluidity characteristic of Miró''s biomorphic forms of this period. Note: This work belongs to the second of six series of etchings which Miró made in 19. It was published by Maeght Éditeur, Paris, in 1952-53 in a very small, limited edition of only 13 impressions. It was etched at the Atelier 17, New York in June 1947 and printed at the Atelier Lacourière, Paris. ![]() Brittany is seen by some as the end of the world. The work is also hand numbered in pencil “3/13” at the lower left margin. Inspector Dupin: With Pasquale Aleardi, Annika Blendl, Ludwig Blochberger. Daniel Lelong Editor (Book) Very good condition except for the corners and the bottom edge is slightly. 14.7 x 18 in.Īdditional Information: This original etching and aquatint in colours is hand signed and dated in pencil by the artist "Miró 1952" at the lower right margin. This definitive monograph, written by Miró’s close friend and contemporary, offers personal insight into the life and work of the artist. Mir engraver, volume I, 1928-1960, by Jacques Dupin. Technique: Original Hand Signed Etching and Aquatint in Colours on Arches Wove Paper. ![]() Title: Plate V, from: Series II Série II, 1952-53
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |